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Dickens' Philosophy and Style
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Syracuse, N. Jacobson, Wendy S. Dickens and the Children of Empire. New York: Palgrave, Johnson, Edgar. Charles Dickens: His Tragedy and Triumph.
Jordan, John O. The Cambridge Companion to Charles Dickens. New York: Cambridge University Press, Kaplan, Fred. Dickens: A Biography. New York: William Morrow, Ledger, Sally. Dickens and the Popular Radical Imagination. Newsom, Robert.
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Charles Dickens Revisited. New York: Twayne, Reed, John Robert. Dickens and Thackeray.
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Like this: Like Loading Leave a Reply Cancel reply. Sorry, your blog cannot share posts by email. The doctrine of fact alone begins to create problems as characters such as Louisa and Tom find themselves unable to make any right decisions, or feel any emotions at all. By using this symbolism, Dickens not only expresses his disgust and disagreement with many facets of utilitarianism, but also backs up his hatred with predictions of what will happen to the people if an entire society were based solely on fact.
Why no…who belonged to the eighteen religious denominations? V; pg. He continually reinforces the ideas preached by Gradgrind and Bounderby, that Facts are the one scripture needful above every other facet of life, including religion itself. For Gradgrind, science and fact utterly consume him, leaving him no time to pay attention to the human need for comfort and peace that is often exemplified by religion. All of these facets combine to create a highly satirical view of Coketown as a place where the religion is not one of God but one of fact.
Dickens backs this up further by continually inserting religions allusions and fragments of prayers into descriptions of Coketown or passages that talk about fact. This satirical view of a much darker reality causes the reader to pause and forces though on the twisted reality of a world where fact and science, both subject to human fallacy, have replaced a higher power.
Dickens; : a collection of critical essays
Dickens utilizes synecdoche in order to exaggerate and bring across the true mechanization of the masses so prevalent in the industrial age. In general, the individual is not spoken of; instead the whole represents the individual. This is a useful viewpoint for those such as Gradgrind and Bounderby to take because it is the view that creates the most profit. However, through his extensive use of this synecdoche, Dickens shows that it creates a vicious cycle, where the town can be ruined if only one small part of the working whole begins questioning, and where the people trapped in the cycle become less than human.
Analysis of Charles Dickens’s Novels
Dickens questions the greater ideas driving industrial age itself, the ideas of individuality as opposed to profit and output, and he causes readers to also question these ideas as they see the ruin of the people of Coketown, both the workers and the leaders, such as Bounderby and Gradgrind. Remember: This is just a sample from a fellow student. Sorry, copying is not allowed on our website. We will occasionally send you account related emails.